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For centuries, critics, poets, and philosophers have either openly proclaimed or tacitly assumed the long poem as the highest expression of literary ambition and excellence. Rethinking the North American Long Poem focuses on the North American variant of this notorious form—notorious because of its often forbidding and difficult character. The contributors scrutinize seminal works and more recent efforts that have redefined or, better still, reopened the case of the long poem. Taking the categories of form, matter, and experiment as frames of conceptual reference, the book examines the ways in which material and immaterial aspects of literary practice and the philosophically and politically inscribed duality of experience and experiment are negotiated in and by North American long poems from the nineteenth century to the present.
Tabla de materias
Acknowledgments
Introduction. Form, Matter, Experiment and the North American Long Poem
Ridvan Askin and Julius Greve
Part I. Form
Chapter One. Assemblage as a Genre of the Long Poem
Rachel Blau Du Plessis
Chapter Two. Incompleteness: The Project of the Long Poem
Nathan Brown
Chapter Three. “A Restless Surface”: Everyday Phenomenology in James Schuyler’s Long Poems
Matthew Carbery
Part II. Matter
Chapter Four. Matter, Rhetoric, and Ambient Form in Susan Howe’s Poetic Space
Brian J. Mc Allister
Chapter Five. Paterson’s Analogies: Iteration, Recursion, and Contingency
Paul Jaussen
Chapter Six. Against Spectatorship: “Being with” in Claudia Rankine’s Long Poems
Kathy Lou Schultz
Part III. Experiment
Chapter Seven. The Paradise of Rock-Drill: Far-Right Politics in the Late Cantos of Ezra Pound
Josephine Nock-Hee Park
Chapter Eight. Petitionary Long Poems: Layli Long Soldier, Juliana Spahr, and Srikanth Reddy
Peter Middleton
Chapter Nine. Whitman’s Long, Long Poem
Sascha Pöhlmann
Notes on Contributors