In this remarkable book, David-Emil Wickström traces the transcultural flow of popular music production emanating from St. Petersburg, a central hub of the Russian music scene. With a specific focus on the post-Soviet emigrant community in Germany and their event ‘Russendisko’, Wickström – himself a trumpet player in two local bands – explores St. Petersburg’s vibrant music scene, which provides an electrifying platform for musical exchange.
The findings shed a new light on Soviet and post-Soviet popular music history and even Russia’s relationship to Ukraine. Wickström demonstrates the filtering processes embedded in transcultural flows and how music is attributed new meanings within new contexts. This innovative book not only promotes a deeper understanding of the role of popular music in society, it also enables a better comprehension of cultural processes in the second decade after the fall of the Soviet Union.’
The findings shed a new light on Soviet and post-Soviet popular music history and even Russia’s relationship to Ukraine. Wickström demonstrates the filtering processes embedded in transcultural flows and how music is attributed new meanings within new contexts. This innovative book not only promotes a deeper understanding of the role of popular music in society, it also enables a better comprehension of cultural processes in the second decade after the fall of the Soviet Union.’
€26.99
A propos de l’auteur
Dr. David-Emil Wickström works at the Popakademie Baden-Württemberg – University of Popular Music and Music Business in Mannheim. He is the editor-in-chief of the Norient Academic Online Journal.
Langue Anglais ● Format PDF ● Pages 374 ● ISBN 9783838261003 ● Taille du fichier 9.6 MB ● Maison d’édition ibidem ● Publié 2014 ● Téléchargeable 24 mois ● Devise EUR ● ID 5252693 ● Protection contre la copie DRM sociale
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