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In the 1930s, British film producers and critics championed the idea of ‘quality’ pictures – thoughtful, intelligent films that would project a particular and positive view of Britain. The result was to drive a wedge between ‘national’ cinema (which reflected middle-class values) and ‘popular’ cinema (which reflected the working-class values of the majority of cinema audiences). ‘Popular’ became a term of abuse, particularly directed at comedies, whose roots often lay in music-hall. A very different image of Britain emerges from these comedies, as this insightful analysis of two Will Hay films – Oh Mr Porter (1937) and Ask a Policeman (1939) reveals.
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भाषा अंग्रेज़ी ● स्वरूप PDF ● पेज 29 ● ISBN 9781909183803 ● प्रकाशक Andrews UK ● प्रकाशित 2015 ● डाउनलोड करने योग्य 3 बार ● मुद्रा EUR ● आईडी 5768588 ● कॉपी सुरक्षा Adobe DRM
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