Romanticism is often understood as an age of extremes, yet it also marks the birth of the modern medium in all senses of the word. Engaging with key texts of the romantic period, the book outlines a wide-reaching project to re-imagine the middle as a constitutive principle. Sng argues that Romanticism dislodges such terms as medium, moderation, and mediation from serving as mere self-evident tools that conduct from one pole to another. Instead, they offer a dwelling in and with the middle: an attention to intervals, interstices, and gaps that make these terms central to modern understandings of relation.
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विषयसूची
Introduction | 1
1. Parenthyrsos: On the Medium of the Sublime | 17
2. The Medium Eats the Message: Mediatization
and Force in Kleist’s “Michael Kohlhaas” | 38
3. Radically Neutral: Hegel, Haiti, Kleist | 71
4. Love Language: Plato, Shelley, Schlegel | 104
5. This Is (Not) a Joint: Two Readings of Friedrich Hölderlin | 127
6. Lyric Meditude: On Hölderlin and Ashbery | 154
After Words | 173
Acknowledgments | 187
Notes | 189
Works Cited | 217
Index | 233
लेखक के बारे में
Zachary Sng, Associate Professor of Comparative Literature and German Studies at Brown University, is the author of The Rhetoric of Error from Locke to Kleist (Stanford University Press, 2010). His areas of research include German and British aesthetics, the history of rhetoric, literary theory, and European romanticism.
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