Joachim Müller 
Die dramatische Funktion von Mephistos Monolog in Goethes „Faust“ I: „Verachte nur Vernunft und Wissenschaft …“ (V. 1851–1867) 

Created when James I granted royal patronage to the former Chamberlain”s Men in 1603, the King”s Men were the first playing company to exercise a transformative influence on Shakespeare”s plays. …

The Stage Manager’s Toolkit, Third Edition provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. T …

An innovative examination of the ways in which dance and philosophy inform each other, Dance and Philosophy brings together authorities from a variety of disciplines to expand our understanding of …

This book questions how feminist beliefs are enacted within an artistic context. It critically examines the intersection of violence, gender, performance and power through contemporary interventionis …

Stanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s ”System”, separating myth from fact with forensic skill. The first edition of this now classic study s …

First Published in 1987. Split into four parts, this book seeks to inform the reader, teachers, directors and students about American Musical Theatre. Part I is a brief history of the American …

Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare”s involvement with the various London acting companies before his …

Contemporary Clowning as Social Performance in Colombia brings to light the emergence of new kinds of clowning in everyday life in Colombia, focusing particularly on the pervasive presence of clowns …

A classic work of theatre history and criticism when first published, Arnold Aronson”s formative study surveyed the phenomenon known as environmental theatre. Now updated in this richly illustrated …

”Essential reading for any young actor” Dame Maggie Smith Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the …