Richard H. Bell 
Wagner’s Parsifal 
An Appreciation in the Light of His Theological Journey

Parsifal, Wagner’s final opera, is considered by many to be one of the greatest religious musical works ever composed; but it is also one of the most difficult to understand and many have questioned whether it can be considered a ‘Christian’ work at all. Added to this is the furious debate that has surrounded the composer as an anti-Semite, racist, and inspiration for Hitler. Richard Bell addresses such issues and argues that despite any personal failings Wagner makes a fundamental theological contribution through his many writings and ultimately in Parsifal which, he argues, preaches Christ crucified in a way that can never be captured by words alone. He argues that Wagner offers a vision of the divine and a ‘theology of Good Friday’ that can both function as profound therapy and address current theological controversies.

About the author

Richard Bell is Professor of Theology at the University of Nottingham, UK. He studied theoretical physics at University College London and theology at Oxford and Tubingen. He is author of Provoked to Jealousy (1994), No One Seeks for God (1998), The Irrevocable Call of God (2005), and Deliver us from Evil(2007).