Friedrich Schiller 
The Robbers 

The Robbers by Friedrich Schiller   is the first drama by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim, Germany, and was inspired by Leisewitz’ earlier play 
Julius of Taranto. It was written towards the end of the German 
Sturm und Drang (‘Storm and Stress’) movement, and many critics, such as Peter Brooks, consider it very influential in the development of European melodrama.



The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi’s opera of the same name,  
I masnadieri.



The plot revolves around the conflict between two aristocratic brothers, Karl and Franz Moor. The charismatic but rebellious student Karl is deeply loved by his father. The younger brother, Franz, who appears as a cold, calculating villain, plots to wrest away Karl’s inheritance. As the play unfolds, both Franz’s motives and Karl’s innocence and heroism are revealed to be complex.



Schiller’s highly emotional language and his depiction of physical violence mark the play as a quintessential 
Sturm und Drang work.[
citation needed] At the same time, the play utilizes a traditional five-act structure, with each act containing two to five scenes. The play uses alternating scenes to pit the brothers against each other, as one quests for money and power, while the other attempts to create a revolutionary anarchy in the Bohemian Forest.



Schiller raises many disturbing issues in the play. For instance, he questions the dividing lines between personal liberty and the law and probes the psychology of power, the nature of masculinity and the essential differences between good and evil.