Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney argues that the proliferation of visual codes, metaphors and references to the gaze in women’s novels published in Britain between 1778 and 1815 is more significant than scholars have previously acknowledged. The book’s innovative survey of the oeuvres of four culturally representative women novelists of the period spanning the Anglo-French War and the Battle of Waterloo reveals the importance of visuality – the continuum linking visual and verbal communication. It provided women novelists with a methodology capable of circumventing the cultural strictures on female expression in a way that concealed resistance within the limits of language. In contexts dominated by ‘frustrated utterance’, penetrating gazes and the perpetual threat of misinterpretation, Jane Austen, Ann Radcliffe, Maria Edgeworth and Frances Burney used references to the visible and the invisible to comment on emotions, socio-economic conditions and patriarchal abuses. Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney offers new insights into verbal economy and the gender politics of the era by reassessing expression and perception from a uniquely telling point of view.
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Foreword by Caroline Jane Knight; Preface; Introduction: Visuality in Profile; 1. Jane Austen’s Aesthetic Vocabulary of Character; 2. Ann Radcliffe’s Gothic Reconstructions of Female Identity and Experience; 3. The Gendered Gaze and ‘Made-up’ Women in Maria Edgeworth’s ‘Castle Rackrent’, ‘Ennui’ and ‘Belinda’; 4. Optical Allusions in Frances Burney’s ‘Evelina’ and ‘The Wanderer’; Conclusion; Selected Bibliography; Index.
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Dr Jessica A. Volz is an independent British literature scholar and international communications strategist whose research focuses on the forms and functions of visuality in late eighteenth- and early nineteenth-century women’s novels.หนังสืออิเล็กทรอนิกส์เพิ่มเติมจากผู้แต่งคนเดียวกัน / บรรณาธิการ
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