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Tiểu sử, Tự truyện Âm nhạc chung Cổ điển, Opera, Nhạc nền, Nhạc kịch Jazz, Blues Pop, Rock Phim Truyền hình Nhà hát Khác

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Bìa của Racism and stereo types in Walt Disney movies. An analysis of 'Pocahontas' (1995)

Racism and stereo types in Walt Disney movies. An analysis of ‘Pocahontas’ (1995)

Seminar paper from the year 2015 in the subject Film Science, grade: 1, 0, University of Kassel (Geistes- und Kulturwissenschaften), course: Sociolinguistic Studies: Structures of Othering, language: …

Bìa của Tobias Beidermühle: The Cinematographer: Dean Cundey

Tobias Beidermühle: The Cinematographer: Dean Cundey

Research Paper (undergraduate) from the year 2009 in the subject Film Science, grade: A, Savannah College of Art and Design – The University for Creative Careers (School of Film and Digital Media, …

Bìa của Martin Thiele: Filmosophy - About Framptons Radically New Way of Understanding Cinema

Martin Thiele: Filmosophy – About Framptons Radically New Way of Understanding Cinema

Seminar paper from the year 2009 in the subject Film Science, grade: 1, 3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film …

Bìa của Julia Deitermann: Cult Films as a Social Phenomenon in the 1950s

Julia Deitermann: Cult Films as a Social Phenomenon in the 1950s

Seminar paper from the year 2004 in the subject Film Science, grade: A, San Diego State University, course: Cult Films – Weirdly Dramatic, language: English, abstract: The decade of the 1950s …

Bìa của Simone Donecker: Narrative Constructions in Tom Tykwer's Run, Lola, Run

Simone Donecker: Narrative Constructions in Tom Tykwer’s Run, Lola, Run

Seminar paper from the year 2005 in the subject Film Science, grade: A*, Indiana University (Communication and Culture), language: English, abstract: Run, Lola, Run by Tom Tykwer (1998) is a …

Bìa của Simone Donecker: 'You Freud, Me Jane?' Concepts of Spectatorship in Alfred Hitchcock's Marnie

Simone Donecker: ‘You Freud, Me Jane?’ Concepts of Spectatorship in Alfred Hitchcock’s Marnie

Seminar paper from the year 2005 in the subject Film Science, grade: A, Indiana University (Department: Communication and Culture), course: Introduction to Media Theory and Aesthetics, language: …

Bìa của Yelyzaveta Babenko: Analysis of the film 'The Matrix'

Yelyzaveta Babenko: Analysis of the film ‘The Matrix’

Pre-University Paper from the year 2010 in the subject Film Science, grade: 14, 0, , course: technological progress and ethics, language: English, abstract: Is is only in the last decades of the …

Bìa của T. Schlipfinger: The Downward Spiral. Repetition in Hitchcock's 'Vertigo'

T. Schlipfinger: The Downward Spiral. Repetition in Hitchcock’s ‘Vertigo’

Seminar paper from the year 2011 in the subject Film Science, grade: 1, 5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to …

Bìa của Oliver Schill: The 'Sensibilismus' movement in Wim Wenders' Alice in the Cities (1974) and Kings of the Road (1976) compared to The American Friend (1975/76)

Oliver Schill: The ‘Sensibilismus’ movement in Wim Wenders’ Alice in the Cities (1974) and Kings of the Road (1976) compared to The American Friend (1975/76)

Seminar paper from the year 2003 in the subject Film Science, grade: B, Concordia University Montreal (Mel Hoppenheim School For Cinema), course: New German Cinema, language: English, abstract: …

Bìa của Oliver Schill: D.W. Griffith, Analysis Of Parallel Editing

Oliver Schill: D.W. Griffith, Analysis Of Parallel Editing

Research Paper (undergraduate) from the year 2003 in the subject Film Science, grade: A+, Concordia University Montreal (Mel Hoppenhim School For Cinema), course: Montage Aesthethics, language: …

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