Stella Benson 
The Poor Man 

Temple of Kwan-yin. A wide altar occupies the whole of the back of the stage; a long fringe of strips of yellow brocade hangs from the ceiling to within three feet of the floor at either end of the altar. In the centre of the altar the seated figure of the goddess is vaguely visible in the dimness; only the face is definitely seen—a golden face; the expression is passionless and aloof. A long table about 12 inches lower than the altar stands in front of it, right across the stage. On the table, before the feet of Kwan-yin, is her carved tablet with her names in golden characters on a red lacquer ground. In front of the tablet is a large brass bowl full of joss-sticks, the smoke of which wavers in the air and occasionally obscures the face of Kwan-yin. There are several plates of waxen-looking fruit and cakes on the table and two horn lanterns; these are the only light on the scene. On either side of Kwan-yin, between the table and the altar, there is a pillar with a gilded wooden dragon twisted round it, head downward. To the left, forward, is a large barrel-shaped drum slung on a carved blackwood stand.